{"id":396,"date":"2006-03-23T21:25:19","date_gmt":"2006-03-24T05:25:19","guid":{"rendered":"https:\/\/batrock.net\/anime\/?p=396"},"modified":"2006-03-28T06:33:54","modified_gmt":"2006-03-28T14:33:54","slug":"mushishi-episode-16","status":"publish","type":"post","link":"https:\/\/batrock.net\/anime\/?p=396","title":{"rendered":"Mushishi – episode 16"},"content":{"rendered":"

“The Daybreak Snake\u00e2\u20ac\u009d<\/p>\n

<\/p>\n

The first episode of Mushishi<\/I> with no real conclusion: a life lived a day at a time, and a meditation on the value of memory.
\n
\nGinko travels through spring, a time when people relax and are more likely to view cherry blossoms than work. Ginko meets Kaji, a boy whose mother Saigo is gradually forgetting everything. The only things that she is guaranteed to remember are her son, her house and how to cook.
\nGinko tells them that the mushi responsible is kagedama<\/i>, a shadowy fellow that sneaks into the brain and feeds off memories. There\u00e2\u20ac\u2122s very little to do about it apart from constantly forging new memories.<\/p>\n

That\u00e2\u20ac\u2122s pretty much the episode; an incurable mushi. It\u00e2\u20ac\u2122s terrible after a fashion, but the story surprisingly does not degenerate into hopeless bleak despair. Irreversible memory loss is a real issue, but Mushishi<\/I> somehow softens the blow.
\nThe ending offers no hope for a cure, but what it does offer is some scant comfort: Kaji takes solace in the fact that despite all that she has forgotten, Saigo has never forgotten him. <\/p>\n

“The Daybreak Snake\u00e2\u20ac\u009d is about the importance of a bond between people, and it\u00e2\u20ac\u2122s arguably more valuable to Kaji than it is to Saigo; Saigo is horrified by the thought that one day she won\u00e2\u20ac\u2122t be able to recognise that she has been forgetting things, but once she\u00e2\u20ac\u2122s forgotten that she won\u00e2\u20ac\u2122t have a worry in the world. Kaji is the one who would suffer, as he is the one left behind.
\nThis issue is very similar to one that has surfaced in a recent anime about death, but Mushishi<\/I> makes the point so much better I won\u00e2\u20ac\u2122t shame the other series by naming it<\/a>. The difference is that here Saigo recognises the issue at hand and chooses not to be selfish about it.<\/p>\n

The uncomfortable lesson to learn from this episode is that a disabled regularity is better than none at all; that people have to endeavour to make the most of what they have and accept that their lot in life can\u00e2\u20ac\u2122t get any better but could certainly get a lot worse.
\nAs with Ginko himself, the resolve is pragmatism. That\u00e2\u20ac\u2122s all that one can ask.<\/p>\n

Postscript:<\/b> Because I\u00e2\u20ac\u2122m always covering what I perceive to be the “issues\u00e2\u20ac\u009d of any given episode of Mushishi<\/i>, I sometimes forget to comment on the incidental events that reveal something of the nature of Ginko himself. This episode begins with Ginko sailing down a river, talking to a man. This springtime reverie is a nice insight to the bond that Ginko shares with the people of Japan, even those not touched by mushi. It\u00e2\u20ac\u2122s just another way of showing that Ginko is genuinely a nice, outgoing fellow.
\nThe seasonal feel of this episode created a good deal of its atmosphere, and I\u00e2\u20ac\u2122m sure the shed sakura represent something; if only I could pinpoint what.<\/p>\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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