Author: Alex Doenau

Alex Doenau is an Australian film and book critic based in Sydney. His interests include video games, Pokémon, and amiibos as far as the horizon.

Brick

It's ironic that, at the Sundance film festival this year, a film that was based on reappropriating film noir archetypes into a high school situation was awarded for “Originality of Vision”.
Brick is exactly like a stereotypical hardboiled detective story, except the detective is a student played by Joseph Gordon-Levitt. This does not make it bad by any stretch of the imagination, because the perfect sort of film noir in my imagination is exactly as atmospheric as Brick.

Shadowrun (SNES)

Shadowrun is probably best described as the cyberpunk equivalent of Dungeons & Dragons. It would be inspired by, some might say derivative of, the works of William Gibson were it not for its anathematic dwarfs, trolls and elves.

Shadowrun was Melbourne-based development company Beam Software's attempt to transfer a dice and paper game to the Super Nintendo. It's not the straightest of RPG conversion: it has an at times incredibly obscure method of progression, and the level up system is far too slow in the game's early stages, but it is nonetheless stangely compelling. I devoted many hours to it and, despite its misfires, I do not feel that those hours were spent in vain.

It should be noted that, despite its Australian origin, Shadowrun was incredibly difficult to find on our fair shores due to its coming at the end of the period where Nintendo hardware in Australia was distributed by Mattel, the software by Mattel and Metro. Metro "lost”; Shadowrun was distributed by Metro.

Cinema Etiquette

Normally you see a film in a cinema to revel in the atmosphere of the darkness, and an audience: you're a coalition of the willing. I've seen Brick twice now, and the first instance boasted the kind of audience that you want: quiet and attentive. The second Brick did not go so well: I went on a Saturday night, not a normal movie night for me and, about fifteen minutes in, there came a gaggle of teenagers. They helped to make this film boast the actively worst audience ever; not just an annoying audience like that which had rendered the already interminable mess that was Wedding Crashers even more excruciating.
These teenagers came into the film and they talked. I hate coming late to a film, and Brick is one where you really can't afford to miss the first minutes. They didn't whisper quietly like one might do when trying to figure out what was going on.

For them, it was a cotillion. They came in and out of the cinema with alarming frequency, with some of them coming and going as many as three times. They chose to use the theatre as a reunion ground, standing up and stepping over each other so that they could hug and say something along the lines of “omigod how have you been omigod omigod” or some crap. I'm making up that dialogue, but it was probably as vapid as all of that.
As my friend Liz and I stepped out of the cinema, the culprits were standing around the stairs. One of them was heard to remark “That was a waste of time”. Yes it was, my friend, but the subject of our thoughts may have been different indeed. Don't come to the most subterranean of George Street's cinema screens for an extended social gathering. It's not a good idea.

Now this may not have been as inappropriate as when I came out of Sophie Scholl: The Final Days and one of my friends chose to say “Heil Hitler!”, but it was still bad. I've generally got nothing against teenagers, having only left that era myself, but the vapid ones do no favours for the rest of them.

So, I ask that you remember the golden rules:

    Golden Rules of Movie Etiquette

  • Do not talk loudly during the movie, about things that have nothing to do with the movie.
  • Do not laugh at climactic moments of a film.
  • Turn your phone to silent. Some people will be more anal about this than I, but I think moderate use of SMS technology is acceptable during a film.
  • Do not stand up at any point in the movie to hug someone who has just entered the theatre, thus obscuring the view of anyone unfortunate enough to be in front of you.
  • Eat the meat of the carrot.
  • North for Pig Skin, South for Duck Skin.
    Movies at which it is appropriate to shout “Heil Hitler!” at the conclusion

  • Der Fuehrer's Face (everyone of foreign race/will love der Fuehrer's face/when we bring to the world dis-order!)
  • Raiders of the Lost Ark (if only because your face will melt and you'll deserve it)
  • The Producers (I, for one, never knew that the Third Reich … meant Germany!)
  • Pretty much any Mel Brooks film, really.

Making a list is arbitrary and risks being dogmatic, but I'm not that fussed about it; almost all of those rules are just common sense.

At the cinema, listen to your heart and you'll probably hear it telling you not to be a jerk and spoil the experience for your comrades in celluloid. They won't thank you for it, but they also won't get onto the internet to admonish you for it.

The new Batrock

There’s little point in paying for a shiny domain and using only a little bit of it. There’s even less point in making the headliner page a dead end with a couple of pictures and a review of admittedly one of the finest films of the year.

To remedy this situation, I have now devised another site, hopefully not destined to reach the same horrid fate! It’s more general, but my specialty is mainly movies. I suck at making pithy observations of the state of things in generals but, gosh darnit, I’ll try!

Now, take the hand of your partner and sit back as you enjoy the show that ushers in the impending apocalypse and almost certain doom!