It’s no secret that the world is in political turmoil, so it shouldn’t be surprising that Spike Lee’s BlacKkKlansman, set in the seventies, feels as painfully relevant as it does. Much can, and has, been said about the movie’s propping up of the police force as an institution despite its systemic racism, but it is a powerful piece of cinema and well made indeed.
Read the full review on Trespass.
